I number and date my notebooks in case I need to go back to them later. They’re pleasant to touch and make the world seem like an orderly place. ![]() 38 Muji gel ink pens at the office for this purpose. Lately we’ve been buying Muji notebooks and. If you’d stuck your head into the office, you’d see four of five of us scribbling away furiously and noting what we’d change. At each edit, we add at least one producer who’s never heard the earlier versions.Įditing a radio story goes like this: The reporter reads the script out loud and when it’s time for the quotes, we play those from the computer. We use Google Docs so much at the radio show because we edit and re-edit each story many times before it gets to air. Before Google Docs existed, those rare times I met software engineers, I’d ask them to please create software so two people in different locations could edit a document together online. Pro Tools to edit sound, Microsoft Word for writing. On the tech/app side I keep things unsophisticated. ![]() What apps/software/tools can’t you live without? Why? Movies and TV shows I watch exclusively on the iPad mini, never on a TV. Location: New York Current Gig: Host and Executive Producer of This American Life One word that best describes how you work: Unrelentingly Current mobile device: iPhone 5 (and Anker Astro Slim3 battery for when it runs out of juice) Current computer: MacBook Air, the smallest one, and a Mac desktop at work. We spoke with Ira to learn about his workflow, how he crafts his stories, and which tools he uses to produce compelling shows every week. This series supports Glass’ words of advice to students: “Just start making stuff.A high-school senior named Hae Min Lee disappeared one day after school in 1999, in Baltimore… Read more In the residences, a student storytelling workshop and performance series called “Show and Tell” will launch next week and culminate in a large public event in May featuring some of the best student storytellers alongside faculty and celebrated story stars such as Daniel Handler, aka Lemony Snicket. Editor and essayist Michael Meade is expected in April. The story continues when SSP hosts public appearances by poets Naomi Shihab Nye on Jan. In comparing his radio program to mainstream journalism, he pointed out that what is missing in the average news story is joy, humor and surprise, all the things that make people want to hear a story and which make life worthwhile.įinal words of wisdom from Glass: “It’s normal to be bad before you’re really good.” His message to budding storytellers was to find stories they could tell with enthusiasm and wonder. Students and fans sat in rapt attention as Glass shared insights about story mechanics and the importance of narrative control, as well as some of the secrets of success behind This American Life, which reaches 1.8 million listeners through more than 500 public radio stations each week. It’s a sensibility of curiosity, attention and even suspicion – a sensibility that there is a lot going on in the simplest of experiences.” “He has created more than great stories – he’s created an infectious sensibility that we come away with at the end of every This American Life show. “Glass is a giant in American storytelling,” said Willihnganz in his introduction on Sunday. According to Jonah Willingnganz SSP’s director, there is no one doing it better right now than Glass. ![]() The Stanford Storytelling Project (SSP) and the ASSU Speakers Bureau hosted a seminar on storytelling to a capacity crowd in Cemex Auditorium in accordance with their mission to promote the power and craft of oral storytelling. 4, 600 students and fans had the opportunity to see the man behind the voice. ![]() Thus, many grew up listening as their parents listened to host Ira Glass and his quirky contributors – David Sedaris, Sarah Vowell and David Rakoff, to name a few – delight in the ordinary and find poignancy in the everyday. Most college-age students were just wee toddlers when This American Life was born on the radio in 1995.
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